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[gidge]

PICK YOUR POISON
PIC PROMPTS / TFLN / RANDOM SCENARIO
HAN SOLO velocities	BETTY MCRAE bombsheller	RIVER TAM subsulcus	RIVER TAM (AU) comprehender
SIMON TAM vest	BRIA THAREN exulted	NADINE CROSS bridaled	GU JUN-PYO toddler
available on special request: veronica sawyer, benjamin linus, imani, maria deluca, mushu, poseidon, niccolò machiavelli, malik al-sayf, chloe

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[terrifies]

Everyone was addicted to something. It sounded trite, or best case, it sounded like one of those cynical sayings meant to cover up the shortcomings of the sayer, but in Ouija's experience, it was true. If you looked long and hard enough, there was always a vice. The real danger was not knowing how to manage it.

And, to her master plan, "It's working."

They glance up as the crowd files out, exhaling upward to puff hair out of their face, and one of those ingrained-in-habit little anti-hunter feints. Look ma, exhaling activities!

"No, I very much enjoyed it, I just wasn't expecting it... and I am grateful to you for inviting me here, as well. I'll come back in and help you, if you need it?" Ouija decides, not liking the way this feels as-is, but understanding the necessity for it, for the moment. Birds in little cages deserve lockpicks... But there has to be a way to do this that won't blow up on them, and the better machinations take time. Even if the Followers approved of Ouija's grudge (they don't), and even if there was a presence in Denver (almost certainly, there isn't), they would not actively step in to assist for what they would assuredly call extracurriculars.

"The Prince has invited me to see a show of his, as well. Do you think that's all right?" Anything overheard is going to get back to his master's ears, and Ouija's tone is bland as can be while they calculate. A show--Edward's pride--is most certainly the linchpin here. They're hungry for it, a way to hurt, a way to humble. A way to push this Prince to learn, which is a comparatively recent development but one the Followers (of Vegas, at least) are very sincere and adamant about. There's no sense, or reason, in just torturing someone for kicks, even someone who's earned a personal dislike. Bringing their weakness to them, making it apparent to them, actually bettering them, is a real argument among the faithful for taking any action.

Ouija wants to better the hell out of Edward.

[acaseofyou]

"His band plays on Wednesday," so, a few nights from now. She's aware of Roger standing behind her the way a mouse is aware of the cat. "They're very bluesy, I think you'll like them."

As if Ouija has given her any indication they would like Edward's current style of honkytonk blues.

There's a lot to be said for comeuppances, but that can wait for now. For the moment there's a game to be played, a dance of talking around what she wants to say, shaping words that will hopefully have a meaning Roger won't pick up on. But Roger has been around a long while, which leaves her with empty smiles and banal scripts to go through, line by line.

"Come in, then. I'll meet with Edward for a minute, and then I can show you backstage. All the wine moms still at the bar will be very jealous of you." Birdie says it all with practiced ease, well rehearsed humor, the common kind of joke that's easily found lying on the ground after the party is over.

Another group walks out as Birdie turns to go back in, and this one has a good share of Kindred in it. One perk of her skills has always been that it leaves mortals a little more willing to walk home alone with strangers. She smiles at a few that smile at her first, familiar.

Then she reaches behind her to grab -- Ouija's hand, their sleeve, the edge of their coat. As if they'll get lost in the push of people, but more privately it's that she wants the confirmation that they're the one at her back and not Roger, or some other informant; that it's a friend.

[terrifies]

"Well, you remember one of the two things my sign said when we met," Ouija murmurs, without skipping a beat, "So you can believe me when I say I can't wait."

Ouija continues to just quietly process internally, following Birdie inside, offering a good natured groan at the hallmark^TM humor, "I did not come to this state for cougars. I'm sure they're wonderful people..." They trail away, paying attention actually to the locals who don't sound like they have heartbeats. It behooves them to recognize faces even if there's no time for more formal introductions, and Birdie's smile is a tick on the scale of Anubis against her leaving, if she has friends here. But then, arguably... all Ouija really wants is to help her have the choice. If she is bloodbound, or if Edward has some other hold over her, then it won't be straightforward at all.

They make a soft sound of curiosity at the grab, divining after a moment it isn't a specific solicitation for them to look at or notice anything, and then they squeeze her wrist back, attempting supportive with a perfectly neutral expression.

That surely has nothing to do with a little noodley snake gently and inquisitively slipping from one sleeve up into Birdie's, and Ouija adds, apropos of that, but ostensibly the bag, "Thanks for holding onto my things for me."

[acaseofyou]

There's a lot of holding going on, isn't there? Metaphorical, physical, and noodle.

She laughs at the mention of cougars as they walk through. "Well, they can certainly have fun." Has Birdie had a lot of experiences with the local cougar population? Maybe, possibly. She's certainly not going to Kiss and tell about it, at least not right now. Ouija might notice that glancing blow at the subject, though, and that while she smiles at locals and nods and greets, sometimes shares a quick peck on the cheek with someone or other, it all seems... Perfunctory. A well worn habit of respect masquerading (ha!) as affection. It's hard to have friends, really, when everyone will report on everyone else.

The squeeze is noticed, appreciated. She turns back to Ouija, about to direct them to a spot they can wait for her, when she feels a New Friend crawl up her arm.

For the first time tonight, the expression on her face is an actual true look of delight, a moment of unfettered honesty here in the bar with the house lights on and stragglers nursing their final drinks. It doesn't last very long, but it was there and it was real, and she tries to subtly hold her arm a little away from her side so this New Friend can move about freely toward her elbow.

"You're welcome." A smile lingers as the rest of her expression mellows. "Let's hope some of your things will stay polite while I'm in there." A raise of eyebrows, here, and the hint of a smile. "Wait here, I'll be right back."

[terrifies]

Handholding, holding patterns, holding out for a hero and holding their breath. The little hint about cougars is fun, and if it weren't for their Ghoulish third wheel, they'd probably ask something about Birdie being exclusive, but it feels ...wrong to do so now.

"I have no doubt." Ouija loitered in the corner, looking around with a less-than-relaxed air, waiting patiently for Birdie. Thinking of her in there being called Bridget, being scolded or even praised for her performance, made them want to wrinkle up their nose in disgust.

At least the snake contraband was a success. That was all the support they could give at that point, and they brightened up a bit when she returned, going to retrieve their bag and let her show them to their 'accommodations'.

Ouija slept the day away, dreaming, as Kindred often did, of their former life, and a harsh life indeed. The bite of mortal hunger, as keen as that for blood. The whip and welts of the lash, for minor offenses deemed grievous in that century - of fear, and the comparative luxury, glimpsed that other world beyond that of the dust through which the actors without sponsors clawed. The rich... the rich were the same, everywhere, everywhen.

They woke abruptly, recognizing the sunset with an acuity born of a Follower's even keener knowledge, that Ra was gone now for a time, and the engulfing, beautiful blackness had returned. They had until Wednesday to make some sort of plan, but that would be only the earliest opportunity. There would be other chances. Birdie still had their snake, but that was well and good, she probably needed it more than they, at this moment. They fumbled for their phone, finding her number.

Evening. Are you up?

[acaseofyou]

The rest of the evening had been sedate, in comparison to the anxiety it had begun with.

Edward, for his part, had opted for praise if only because he likes to believe he isn't a tyrant and is, on some level, very aware of how precarious his hold on some things can be. For the duration of Ouija's visit she's been relieved of her regular duties managing affairs at the Broadstreet so she can focus on their accommodations, with an understanding that she'll uphold her scheduled performances and an emphasis existing unsaid that she is to paint Denver only in the best light. Also a very spoken emphasis that she is now responsible for their behavior while in Denver, and anything they do will reflect directly back on her. Maybe the joke about being a tour guide wasn't too far off.

In her own haven, Birdie had different dreams. Those of Daughters are painted by sound, Fugue Music twisting through every image. Sometimes it is of the performances of her Sisters she has never seen, singing where it's still night. Sometimes only shadows of her own memories. Lorelai has been prominent, sometimes singing. Sometimes screaming.

She tries to not dwell on it.

There's a little delay in her response, partially because she is not as prompt a riser as others, and also because as soon as she does she takes the time to wrap her new friend back around her wrist and pet its head affectionately, because it is a good noodle and she appreciates that it may be having a time being away from its master even as it brings her comfort.

I'm up, I'm up!

What would you like to do tonight?

I think our mutual friend misses you.

Then an image of the snake wrapped around her hand, tongue flicking against her thumb.

[terrifies]

Ouija heads out onto the balcony to get a glimpse of the city lights. Some Kindred miss the sun, and the daytime generally, but Ouija never has, not even before they gained a new affinity for the night. Night always feels quieter, softer, more intimate and less demanding (in and of itself, less so when one factors in court politics). And it is beautiful what humans have done in the past century or so, with their lighting technology, to push back the boundaries of their time, and conduct affairs when they want.

They perch there for a bit, waiting for her to get up, and during the delay they answer emails from home. It takes a few minutes of quality time, instructing their understudy how to interact with the local Malkavian Primogen, Ms. Prism Morgan (She was catholic in life, and that wasn't long ago, so it's probably best not to risk a blessing from Set), explaining to one of their newbie ghoul contacts that just because something was old didn't mean it was valuable, that sort of thing. No actual fires to put out, just nonsense.

Ouija enjoys the message and the photo, quietly chuckling at her wording.

Are you committed to anything?

They look out at the city skyline again, frowning a bit.

I'd like to just spend a little time with you, if that's all right. I'm glad she's behaving! She is happy to eat earthworms if you want to feed her.

[acaseofyou]

There is nothing pressing, tonight. Well, nothing beyond the sweet little noodle curled on her hand and the prospect of spending a little time with Ouija. Both of which are a pressure she likes.

Her own haven is considerably less swanky compared to where Ouija has found themself. Mostly by her own design -- it was a 'gift' from Edward, in the way most of his gifts operate, but one she was able to have some part in choosing. The house is small but cozy, a good sized basement and room enough for her to stretch out in. No one else comes in that she doesn't expressly invite, but there's a security system Edward has access to that tells him when she leaves and when she gets back. Always something, usually small and banal, to remind her.

She wanders through it aimlessly, smiling down at her phone and twisting her other hand in the air as the little snake coils around restlessly.

No commitment but to now find earthworms and see you. I can pick you up?

And do you need anything? You only brought one bag. We can get anything you want, with some limitations. I refuse to buy you anything in lime green, for example.

[terrifies]

It would be nice to see her place, yes, nicer to discuss with her, veiled or unveiled, the components of Edward's court, the mechanisms of this lock that ought to be studied and then judiciously unpicked. Nicest of all to see her in general, even if it is the her that wears a tortured mien and goes about all dressed in disguise, the coping her, the mask. There is still some of her inside it.

Yes, I'd like that very much.

I travel quite lightly, but I might be able to use sunglasses. The moonlight hurts my eyes.

I'm not sure there's a way to make lime green look good, so really you're only saving me from myself.

[acaseofyou]

Ouija has had the benefit of seeing her, even if momentarily, unfettered. Moments, songs, deeply enjoyed between the veils and the coping and the lies. Reprises in reprieve that had as much to do with the company she kept as distance.

She wanders her haven, now, with more purpose.

Well, I'm happy to play savior for you if only for the sake of the little one. For other reasons, too.

On my way.

It isn't too terrible a drive from her home to the hotel. The Colorado winter night is cold, but there's no snow or ice on the ground to make it difficult, and she has no idea what kind of car it is she's driving beyond that it does its job capably and will play her music if she pushes the right buttons. Which, honestly, is all she cares to know about it.

When Ouija gets in, they'll see she's not so much for disguise tonight, or at least not the one she'd had last night. Soft slacks, a sweater, her hair down with a few little braids in it as if she cannot help herself from putting them in. Birdie even has on the same jacket she'd worn the first time they'd met, and the snake is curled up comfortably in the same pocket she'd put their number in, as if reserved for Ouija-related business. She looks more at ease, too, just being out of the Broadstreet, away from Edward, with no potential to have any back-room meetings for at least one evening. Time to do with as she pleases, and what she pleases is nearly exactly this.

"Here," she says, handing them a pair of sunglasses. Her own, by the looks of them, because they have daisies all over. "Just to save your eyes until we can find a pair for you."

[terrifies]

Ouija slides into the car with familiar ease for someone who grew up in a century of horse and cart. They've had a long time to get adapted to the things that matter, and this vehicle isn't terribly intimidating. Better, there's no ghoul chauffeur to be snouty. Could this be true privacy for a few moments?

Best to capitalize on that, and quickly. The car could be bugged, potentially, but it's much more of a potential than literally seeing Roger hanging around like a bad penny.

"What a lovely little car." Ouija adds, leaning forward to fiddle at once with the glovebox, actually trying to poke around to see if there's an obvious recording or transmitting device. Hey, heated seats. They'd do so much better with this if they had their Nosferatu companion present, but alas, that's too much of a favor and Sunday rarely leaves Los Angeles these nights.

The idea of Edward using Nosferatu allies also seems vanishingly slim. It's possible. Some Toreador (and Nosferatu) could hold their noses long enough to take advantage of the alliance, but not many, and not usually for long.

Ouija notices halfway through reclining their seat that she is more at ease, and that, more than anything else, convinces them of the probable privacy of the vehicle.

"Is there anyone you trust in this city at all? Anyone you care about, that you wouldn't want hurt?" They take the sunglasses, with soft delight, "These are flowery."

[acaseofyou]

There's a lot to take in over just a few moments.

Birdie lets Ouija do... whatever it is they are doing (why is her butt warm?) as she pulls slowly out of the hotel roundabout and back onto the street. There could, possibly, be a bug in this car. It is probably an ant, because Edward hasn't had a strong relationship with a Nosferatu in Colorado, or even just a young Kindred that would have the needed skillset, in years. Birdie had been tasked with making in-roads on that front, once, but she didn't really try that hard to build a bridge.

There are still Nosferatu around. They still report to Edward, if they feel it's needed, if it's in the interest in keeping the peace. But they don't do favors.

"Trust? No." She turns, driving aimlessly right now. The playlist she's got on is the one she'd made of Ouija's music from judging their taste, and she turns the volume down a little lower so she can think around it and the music she has in her head. "Everyone talks, whether they mean to or not. And the list of who I do want to hurt is shorter."

One hand goes to the snake in her pocket, the other stays on the wheel.

"You don't have to do this, you know." Birdie turns, when they hit a stop light, so she can look at Ouija without potentially crashing this car, which might be a metaphor for something. This is not the first time someone has come in like this, for her.

"You can just be here, if you want to just be here."

[terrifies]

Ouija is happy to be a lot. They're hopelessly perverse that way. But it's also nice not to be scolded for messing with the bits of her car. Nothing blows up or buzzes suspiciously, either, which is excellent. Ouija is again tempted to stop all this plotting and revenge, to relax and enjoy her company, but tells themself, pretty firmly, to multitask. This is important.

The little snake butts her head up against the questing fingers delightedly, seeking the warmth and to twine up between her index finger and thumb. She's having a great time with her new friend, happily oblivious to the ills of Denver.

"I've been weighing it up." They saw no reason not to be honest, even if it made them look potentially like a worse person. "I don't want to be your knight in shining armor, and you won't owe me any boons for doing this. Helping you is only a part of why I want to; there's ma'at here, a suffocating sort, and it needs to be disrupted."

Ouija is at this point confident they can make a case for that to the Setites. Their clanmates won't come help, of course, it's a case, it's not the incarnation of Ra Himself. But they also won't disapprove, and that is vastly more important.

Helping her is only part of why they want to do it. They don't tell her explicitly that it's the tipping point; if they fail, she will feel worse, almost guaranteed, and that isn't fair.

"Is it a bloodbond?" They're more quiet, now, trying to pick apart the wires of this particular bomb.

[acaseofyou]

Birdie turns back to look at the road as the light turns green. The little snake gets a kiss at the top of her head as she listens to Ouija, and then Birdie gently extricates her fingers so both hands are on the wheel.

There's not much she can do to argue against ma'at, she barely has any understanding of what it means. And if that's the justification then she'll let it stay out of her reach, because as much as she doesn't want to see harm come to them, she also doesn't want to keep going like this. Maybe that's selfish, in light of everything. Selfish, too, for her to want to avoid the discomfort of this conversation and jump back into easy banter, but at least that she can resist.

"No," just as quiet. "No bloodbond."

For a few moments the car just continues forward, Duke Ellington switching to A.F.I. through the speakers. Birdie takes a needless inhale and says, "My sire is in torpor. There was... It was an incident. He's got her in one of his properties around town."

Saying it is like ripping off a band-aid. It hurts, and is a relief, and maybe might allow that wound to heal better in the open air. Or maybe she's just inviting infection. Her fingers go white knuckled on the steering wheel as she remembers -- calling out to Lorelai with a Phantom Voice, the way she'd looked when she'd arrived, all distraction and violence. The way she'd looked the last time Birdie saw her.

Birdie laughs, sudden, incongruous and pained, but it breaks some of the tension inside her.

"Can you look up where I can get earthworms? I have no idea where I'm going."

[terrifies]

"I think you've suffered enough." Ouija adds, eyes going to the side-view window where a car that has been following them for a few roads now continues to match their movements. This is far too much.

They really enjoy the music, at least, and the idea that she's relatively clear headed. Edward's not as awful as --Nope that's pretty awful.

They clear their throat quietly into the not-quite-silence, really letting that steep for a second. "I'll take that under advisement." I won't try to get you to leave her.

Ouija pulls out their phone, identifying Anglers Anonymous 'Open Late For All Your Bait' fishing store. "I can't believe I'm going to have to sit through a blues concert for this." They reflect, "I'm sure that's against the Traditions. Somewhere. In the fine print. Surely."

[acaseofyou]

"Thank you."

She says it, and it feels inadequate in the quiet cocoon of the car. There feels like too much for a simple 'thank you,' from the fact that they're here at all to the simple way they don't push for more details. Even the discovery of Anglers Anonymous, which sounds a little like it doubles as something a little more sordid than bait.

(Birdie does not notice the car following behind at all.)

"Oh, don't say that. It could be much worse." She takes her right hand off the steering wheel to poke Ouija in the shoulder. "It could be a Bob Marley cover band."

Her seriousness, now, is entirely mocking.

[terrifies]

"Mmm," And this the reply, as if anything more might be dangerous, but Ouija doesn't stress yet to find out anything further. It is a huge potential complication. How to save one Kindred from a toxic Domain is hard enough, but to save one and another (an unknown quantity, even!) in torpor, that requires even greater logistical planning.

Doable. Still doable.

"Sounds like a terrible innuendo, doesn't it," They remark about the shop's name, and then they look astonished at the poke, with growing delight. It isn't just the playfulness; that's something they're fond of, definitely, but the comfort of casual touch is rare, in Ouija's experience, for their kind.

"I see the depth and breadth of your loyalty, now," Ouija returns, automatically joining in with the banter, and still considering vectors, underneath. "Why doesn't Duke like you, do you know?"

[acaseofyou]

It's certainly a puzzle, one Birdie hasn't been able to make any progress on at all.

"Do you think they host a swingers club in the back?" She's well aware of how many bored housewives dot the population of Denver, so it's pretty likely. The touch, too, is a comfort. There are very few in Denver that get it from her, from Birdie and not Bridget, genuine attempts for connection in the dark and not the pecks and hand-shakes of propriety.

Also, she could've gotten another snake.

Regarding Duke, Birdie makes a face, glancing over at Ouija as she makes another turn to get them to the maybe-swingers-club-hopefully-worm-sellers store. (Behind them the other car turns, too. She's still oblivious to it.) "Jason said something once about how he wasn't traditional? I've always gotten the impression he's a jealous band member. You'll see Wednesday, but he's been around long enough to play better and he doesn't even seem to try."

As if Duke's lack of talent is his biggest offense.

[terrifies]

"I'd be very disappointed, if they didn't. Unloved humans have to get their kicks somewhere." There were no bonus snakes for Birdie at the moment, but that was because Ouija was traveling light, and had only brought the one.

"So he's not as good as you." Ouija guessed, "But none of them are, and that doesn't seem to bother the Prince... perhaps he's not interested in music at all." It was possible, from Ouija's own experiences, to have very little interest in art and to have accidentally given the impression to a Toreador Sire otherwise. And as some of them were - what was a nice way to say it? - impulsive creatures, it perhaps hadn't come up with Duke. It was a workable theory, but it was only one of many.

This, like most Camarilla cities, was a very complex device, lots of moving parts. Lots of places to throw the sabot.

"Stop threatening me with Wednesday." Ouija got out of the car when they stopped, leaning over the top of it to look at her, and added, fondly, "But I promise we will figure this out. I might need your help to help you, but we'll get there."

The car behind also pulls into the parking lot, and Ouija looks over, fully expecting one of Edward's people and mastering patience like snowfall over the top of a just-frozen lake, but it isn't. It's a different vampire, one who the shadows seem to love to cling to, in a black jacket with a small embroidered crown at the lapel that Ouija recognizes as the Lasombra's clan identifier.

"Hope you don't mind if I join you." The Lasombra nods to the tackle shop.

"Are you here for the swingers club?" Ouija answers, immediately, and is rewarded with a wrinkle-nosed squint. "Bir--idget--who is this?"

[acaseofyou]

"Duke's an elder in his own right. I know he's been with Edward longer than they've been in America, so... I don't know. I am pretty sure he got Karen just so he could have a competent drummer, though." 'Got,' as if he picked Karen up at a home goods store to add to the ambiance. A nice floor lamp, covered in leather and spikes. Keeps a mean rhythm but has no sentimental value.

No additional snakes is fine, Birdie is quite happy with the one for the moment. Getting out of the car has her shielding the little one's questing head that pokes out the top of her pocket with her hand against the cold night air, and she's about to answer -- Yes, of course, any help at all -- when the new figure walks up and all thoughts of a returning volley of fondness fall away.

Birdie looks, and blinks.

"Hi, um. Ouija, this is Michelle. Don Alonzo's second, for operations in Denver." She gestures a little between them, across the car. Awkward, tense, but not near the same kind that showed itself in her at the Broadstreet. She even smiles, though it seems a little strained. This is mostly confusion, because Birdie had no idea Michelle was following them, or even there until she'd spoken. The gesture again, but in reverse. "Michelle, Ouija."

She looks between them, feeling impossibly lost. Wanting to ask if everything is okay, if Don Alonzo needed her for something, a general what. Don Alonzo does not typically reach out to her at all, let alone through Michelle. For as far as Birdie has understood it, Don Alonzo doesn't care much for anything happening at the Broadstreet and busies himself with what are probably actually far more important things than the posturing that happens there.

Instead, Michelle gives Ouija a very composed nod of acknowledgement and Birdie says, a little high pitched, "Come on, we're getting worms."

Then, she turns to go inside. Then turns around again to lock her car, and back again with a little head nod for Ouija to follow.

[terrifies]

Don Alonzo's second. That puts Duke and the rest of Edward's childer firmly on the backburner, for the moment. They had been risky options, anyway: getting a Childe to betray one's sire took both talent and time, neither of which Ouija feels confident in having here. There is some potential for other throne-hungry hopefuls; where Ouija wants for time, Edward wants for charisma. They cannot be the only individual who finds him ill suited for his position.

As usual Birdie is Ouija's canary in the coal mine. How uneasy? Ish. But the energy is different, and more palatable. More akin to a predator surprised than threatened, Ouija reasons to themself.

"Worms." Michelle repeats, letting amusement creep through the underbrush of her voice. No voice to rival a Daughter's, but a low and pleasing one in its own right. "All right."

"We know how to live it up in Vegas." Ouija calls back absently, entering the store and giving the cashier a merry little greeting, "Getting worms, going fishing, getting drunk."

"Isn't Vegas in a desert?" Michelle queries... either of them, on the possibility of fishing.

"You fish in the fountains at the front of the Visage hotel." Ouija explains patiently, picking up a small cardboard container of worms and dirt, "Maybe I'll show you sometime."

Michelle is quiet for a moment, assessing this answer, not sure whether to write Ouija off as a complete fool, or an incomplete one. It's probably dangerous to do either. She looks to Birdie, mulling it over, notices the snake in her pocket, and starts to point to it before realizing there's no way Birdie doesn't know it's there and probably the cashier shouldn't have to be about that weird customer life.

[acaseofyou]

Canary in a coal mine or cat startled by a cucumber?

Not that Michelle is a cucumber. She's incredibly capable, and potentially a threat, but she's never had the same animosity and tension with Birdie as the other higher ups that happen to be of Edward's musical brood. Don Alonzo does a lot for Denver, and he and his Childer don't typically concern themselves with her, which is kind of a relief given how meticulously concerned Edward makes himself.

Birdie follows behind Ouija, trying to not feel too much like an idiot for whatever display that was outside as the banter continues around her.

She does notice Michelle notice the snake and, in turn, opt to not call it out. Her smile, now, is absolutely genuine, but she doesn't move to make more of a scene than they... are already definitely making.

"I'm of the understanding that the Visage has a really good selection of catfish," is Birdie's joking addition to this absolute nonsense. If she's the canary, that's the signal the air is relatively clear.

Michelle follows them through the store, amused despite herself. How this is a Keeper and a Primogen, she doesn't know, but from what Don Alonzo has told her it could be much worse. Or weirder. "Unfortunately, I don't eat catfish."

Birdie has positioned herself in an aisle so that the cashier, who is certainly wondering why he agreed to work at this place, can't see her as she does her best to gently nudge the little snake back into her pocket.

"Catch and release. Did you want to come with us?"

A veiled question -- mostly because having a conversation out in the open might be fine, but Roger might pop up from behind a cardboard display of rubber boots and then they're all well and truly fucked.

[terrifies]

There are plenty of likeable qualities to Birdie, and really one of them is her odd, dreamy aspect. It's nice to be around, when things aren't stressful, which, in fairness, has been a lot. And if her comment about her sire being in torpor and held prisoner is even remotely as bad as that, then it's easy to see why she might be jumping at cucumbers. Or even their shadows.

At the catfish crack, Ouija snorts quietly, appreciating it, and digging out the money to pay for the worms. "Please recycle the container," Ouija tells the cashier, noticing that there's an entire warm tank behind the counter full of worms and dirt, and this is one of those more Mom & Pop places that probably feels the pinch even of buying extra little things like that. They buy a cup intended for the soda machine and pick some of the worms out of the container instead, and then offer the cup to Birdie. She should have the honor, really.

"Yes, let's look at Michelle's car in better depth." Ouija agrees cheerfully, and when they're away from the shop and back out in the cold night air, "I have always liked Lasombra. Unlike the Tremere, I don't need to pretend I have no dealings with you, so you don't accuse me of stealing your secrets. So is Don Alonzo also tired of the blues? A snake could really get to work with that."

[acaseofyou]

Funny that she jumps at cucumbers and shadows, then, but takes the cup of worms with a subdued delight and coaxes the snake back out of the top of her pocket once they're outside.

Birdie trails a little behind them as Michelle heads for her car, murmuring a nearly inaudible nonsense tune at the snake as if that will shield her from the conversation and reassure her that, yes, soon there will be worms.

"You know, I've never worked with a snake before. You might want to worry about stealing my patience more than my secrets." Michelle's humor is as dry as a bone, and she beeps the car open. Her expression, while amused, definitely communicates that Ouija is not making the best impression. Which... Well, it doesn't seem they'll care either way. She slides into the driver's seat and Birdie into the backseat, holding the cup of worms primly as the snake coils around her hand again.

"And what Don Alonzo is and is not tired of, I'm not at liberty to say. Though personally, I'm over the scene entirely." Ah, the Kindred fallback of innuendo and doublespeak, with a quick offer of, "No offense," back at Birdie, who waves the concern away with her snake-hand, one worm halfway down the little darling's gullet.

"He wanted to approach you with a proposition, depending on what your plans are for your stay in Denver."

[terrifies]

This sweetheart. Ouija watches her without words, the way she sings a bit to the snake, in a momentary absentminded way. It's not quite Toreador thrall - that comes for Ouija only by way of their own special interest, which is forgeries, imitations, the shadows of truth inside lies, and how the careless eye can best be fooled. But they can, as kindred, (and just as humans could), appreciate and be held rapt by anything lovely. That includes the way she treats the little creature with such gentleness and affection.

Stealing my patience makes Ouija's lips twitch into an almost-disciplined smile, "You're not the first, and you won't be the last, honored Michelle. But I am often worth the sacrifice of a little patience... or so they tell me in the end."

They probably don't say that at first. Ever.

A proposition. That was interesting, for more reasons than one. This could have been done at the Broadstreet, or if that was too short a time to get Ouija's measure, then at their own lodging. And if that was unsafe, it was likely because Don Alonzo wanted a near-to-zero percent chance that Prince Edward would somehow learn of this. Which made it extremely valuable, potentially, for Ouija's own ends.

Silly politicking, or win/win situations? Either. Both.

"I am here for a fortnight at the outside. I intend to leave, if they will it, with more company than I brought with me. If you repeat that, I'll deny it, of course." This was daring, but trust needed to be won with trust given. Otherwise, circles upon circles of feinting and false assumptions. "If your Sire would like to enlist my help with some matter that would further my goal - or even if it is some extracurricular! - I'd be only too happy to hear him out for nothing."